Untitled (After Eutheria) narrates the evolution of body kinds through an extensive timeline. From Eutherian, Brancusi’s Mademoiselles, and to The Unborn X, a series of speculative figures is portrayed on a small scale in mousetraps. Humans and mice are currently alienated from each other, yet in the future where an individual can be dividable, both species’ organisms might be a matter of an algorithm. The story of power – history and aesthetic and its subjective abstraction melt into metabolic currency. Creativity hacked from an artist serves art. The designed information gives birth instead of a living body. All share a mother again.
Untitled (After Eutheria), 2018-19
Mouse trap, engraved metal, silicone, resin, hair, and RFID chips
Untitled (After Eutheria), 2018-19
Untitled (After Eutheria), 2018-19
Untitled (After Eutheria), 2018-19
Untitled (After Eutheria), 2019
Untitled (After Eutheria), 2019
Untitled (After Eutheria), 2019